Of a style often associated with Tanjore, the seat of the Vijayanagara empire.
Sheathed 62.5 cm
Dagger 60.5 cm
(To shoulders hilt)
Ahead of langets 4.5 mm
Thickening at tip 6.5 mm
Base 58 mm
Middle 44.5 mm
5 cm from tip 16 mm
Wootz steel, iron, wood, velvet, copper
Anything similar for sale?
The Vijayanagara katar
The Vijayanagara Empire originated in south India from attempts of several smaller Hindu kingdoms to resist the Muslim invasion from the north. Founded in 1336, its capital was the city of Vijayanagara, which at its height was after Beijing the second-largest city in the world with an estimated population of half a million people. It was overrun by the Deccan Sultanates in 1565, the start of a gradual decline of the empire that lead to its fall in 1646. Many Vijayanagara arms in Western collections today were found in the Tanjore armory, the contents of which were sold by the British in the 1860s.1
One of the most characteristic weapons of the Vijayanagara are the push daggers or katara, after the Tamil kaţţāri, a weapon best known in the western world under the English romanization "katar". The Vijayanagara examples are believed to be the earliest forms of this characteristic Indian weapon. They typically have rather large blades and a shield-like guard incorporated into the handle.
On the Vijayanagara stone statues at Ranganathaswamy Temple, Srirangam for example you mainly see this hooded katar in use as primary weapons either used with a shield, or wielded with one in each hand.
A stone statue at the Vijayanagara period Ranganathaswamy Temple, Srirangam.
Photo cortesy of Richard Mortel from Riyadh, Saudi Arabia.
These characteristic shields would soon disappear from katar as their role changed from primary melee weapon to an everyday carry dagger and backup weapon. Making them without shield is a concession on hand protection, but at the same time made them much easier to wear as part of one's attire and enabled a quicker draw.
Notes to introduction
1. See Elgood, Hindu arms and Ritual, Eburon Publishers, Delft.
A good, large example of its kind. The very well-preserved blade still has very crisp ridges, something that really sets it apart from most survivors.
The blade is made of a very fine wootz, its patterns visible here and there.
The classic hilt with large "sail" guard, terminating in a mythical monster head. Is has separate iron plates riveted to the top, covering the front, and sides, and a last one reinforces the top. Smaller, ornamental plates are also added that mimic stylized floral forms. The cusped arch echoes the Hindu architecture of the period.
'Facade on the W. Side of the Nayakar Durbar Hill' in Thanjavur (formerly Tanjore).
From the photograph album by Capt. Linnaeus Tripe,
'Photographic Views in Tanjore and Trivady'.
South India, 1858.
The langets are beautifully shaped, with raised and sunken elements, cutouts in the shape of tulips, and three forward projecting elements that add to the blade's stiffness at the base. The foremost rivet was gone, so I replaced it with a copper one.
It came with an old green velvet-covered scabbard, which did a good job of protecting the blade because there is a market difference in condition between what is covered by the scabbard and what not.
Blade is in very good condition for one of these, with high, crisp ridges. The hilt has suffered a little more from age, with some patches of rust coming through the shield. Old scabbard with some losses to velvet but still structurally sound. See photos.
A nice, large example of the mighty Vijayanagara katar. It has one of the best blades I've had on these, with precise ridges that stand up high from the surface. An impressive piece.
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I might be interested in buying it.Contact me
Signed Hirado Ju Kunishige
In the style of a Malay keris panjang.
Exceptionally large pierced iron guard for a Chinese yidao; "virtuous saber".
With all silver construction, including the blade.
Japanese sword guard depicting three wise monkeys conveying the message see no evil, hear no evil, speak no…